
Product Description
Given the often inextricable relationship between art and suffering, it's no coincidence that Billie Holiday, popularly acclaimed as jazz's greatest (if not technically best) female singer, was also one of its most tragic figures. While both triumph and tragedy are covered in this hourlong documentary, we are mercifully spared excessive details about the more sordid aspects of Holiday's life (her drug and alcohol addictions, her disastrous relationships with abusive men) in favor of careful consideration of her music. Testimonials are offered by those who played with her (pianist Mal Waldron and trumpeters Buck Clayton and Harry "Sweets" Edison), were influenced or inspired by her (singers Carmen McRae and Annie Ross), or worked with her (producer Milt Gabler). Together, they paint a portrait of a woman who was both tough and vulnerable, sad and defiant, an unschooled musician who became a supreme innovator.
Fairly or not, documentaries like this one will inevitably be compared to Ken Burns's Jazz, especially when they contain some of the same material, as is the case here. But while Lady Day doesn't always benefit from the comparison (actress Ruby Dee, reading from Holiday's autobiography, and narrator David Smyrl race through their lines as if they've got a train to catch), it surpasses Jazz in one vital respect: instead of constantly interrupting the music with voiceovers, Lady Day offers some of Holiday's few performances on film or TV in their entirety, including "Strange Fruit," her graphic and disturbing song about Southern lynchings, and "Fine and Mellow," in which a visibly and audibly deteriorating Holiday is backed by Lester Young, Ben Webster, and other jazz immortals. --Sam Graham
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Kultur, this time you missed it!
If you are interested in the (ever fashionable) approach to Jazz, via the contemporary interpretation of the social environment in which the Jazz artists created, then there is a good chance you may like this DVD.
However, if real footage is what you are after, this DVD may well disappoint you too. In this latter case I strongly suggest you spend your money on "The Ladies Sing the Blues" DVD.
Being interested in a combination of real footage and adept commentary I got disappointed on both ends. In the whole DVD, there are at most three incomplete songs where Lady Day actually sings, yet there are a few too many (poor taste) instances when her voiced dubs some disconnected Jazz players/dancers. As well, in addition to some general socio-historical vignettes, I found the commentary to be just a suite of encomiums with no critical side to it.